As demonstrated in his paintings, Jack Whitten thought for himself

Last week I saw “Jack’s Jacks,” an exhibit of work by American painter Jack Whitten (1939-2018) at Hamburger Bahnhof - Berlin. Again, this is a painter of note that I had never heard of. I am still working on my art education!

I was very impressed by the show. I read several reviews after seeing the exhibit. Most of the reviews were favorable and overlapped with my own thoughts. One review was pretty mean-spirited, stating that the only reason Hamburger Bahnhof was staging the show was as an affirmative action gesture. Judging from the video interview, which played in the entryway to the exhibit, and judging from the work itself, I think it's apparent that Whitten was not primarily billing himself as an “African-American artist," even though several of his paintings are tributes to African-American historical figures. As he stated in the video, he wanted to be remembered as “just one of the guys.” And I think his painting stands on its own merit as unique and important work. However, even if the museum had concocted the show just for the sake of affirmative action - who cares? The bottom line is that the show is great and deserves to be seen. I hope it travels to the U.S.

His paintings are very materials-oriented. Every painting in the show reveals a unique thought, and also lays out a different visual “navigation path.” All together, this creates a feeling of exploration and adventure for the viewer!

I found this show very sincere and touching. Whitten’s empathy, care, and his spirit of hope really come across.

The show continues through September 1.

Here are some of my favorite pieces:

Subscribe to Blog
By BILL SHELLEY • September 20, 2026
Art Installation Calls for Hand-on Approach
By BILL SHELLEY • September 8, 2026
Art Dealer Introduced Impressionism to Germany
By BILL SHELLEY • August 25, 2026
Painting Talent Takes Center Stage in "Light Years"
By BILL SHELLEY • November 15, 2025
Collection Includes Classics: Past and Near-present
By BILL SHELLEY • October 16, 2025
Nazi Government Removed Artist's Work from Public View
By BILL SHELLEY • October 3, 2025
Solidity and Openess at Max Hetzler
By BILL SHELLEY • September 28, 2025
Back to the Wall - Katharina Grosse at Galerie Max Hetzler
By BILL SHELLEY • July 4, 2024
Sex, Beauty and Gay History - Warhol Style
By BILL SHELLEY • June 9, 2024
Kittens, Kitsch, and Kids: Eliza Douglas on the Business of Art
By BILL SHELLEY • May 24, 2024
Chronorama: Photographic Treasures of the 20th Century Museum für Fotographie, Berlin
Show More
Subscribe to Blog